Friday, February 22, 2013

And the Giveaway Winners are...

The winners have been announced in the Rafflecopter's embedded in each related post, but for your convienence, they are listed below:

Kobo Grand Prizes

KoboGlo: Sarah at sonderampium@yahoo.com

KoboMini: Ted Weber at savethereefs@gmail.com

Kobo winners, I will email you with the necessary information! Congrads on the awesome win.

Other Awesome Giveaways:

Joanna Penn's ProWriter Tuition Package: Theresa Hupp
SR Johanness's 1 hr long marketing consultation & eBook: Sarah Chafin
SR Johanness's signed paperback of Untraceable (or Uncontrollable): Rinna Jones-Martin
Stacey Benefiel's audio book of the Zellie Wells trilogy: Tami Brothers
Stacey Benefiel's audio book of the Day of Sacrifice Omnibus: Jo Murphey
Ali Cross's personal branding consultation: Christine Carter
Ali Cross's eBook set of the Desolation trilogy: Catrina Barton
Lori Culwell's copy of Hollywood Car Wash: Kate Tilton
Lori Culwell's copy of How to Market an eBook: Christiana Miller
LM Preston's book marketing consultation: Jade Eby
RaShelle Workman's signed paperback of Blood & Snow: Kim Cox
Samantha Young's signed paperback of Slumber: Kathy Lepeyre
Samantha Young's signed paperback of Slumber: Catrina Barton
Addison Moore's eBook of entire Celestra series: Shelley Angela Kyle
Darci Chan's signed pb of The Mill River Recluse: Maria Hoagland
M. Leighton's signed copy of Down To You: Thomas Shepard
M. Leighton's signed copy of The Wild Ones: Stacy Juba
Denise Grover Swank's books Here and There: Linda Servlovsky
BiblioCrunch's $119 yearly membership toward personalized author concierge services package: SE Gilchrist
BiblioCrunch's $100 toward an editing package: Catrina Barton 
Sybil Nelson's one hour marketing consultation: Stacy Juba
Laura Pauling's ebook of A Spy Like Me: Christy Dorrity
Laura Pauling's signed PB of How to Survive Ancient Spells and Crazy Kings: Judy Downing
Stina Holmes eBook of Finding Emma: Shelley Kyle
Stina Holmes eBook of Stroke of Midnight: Rogenna Brewer
Cheri Lasota's eBook of Artemis Rising: Lance Alkire
Susan Kaye Quinn's eBook of Open Minds: Maureen Wood-Dillman
Nancy Holder's eBook of Undead For a Day: Glen Gardiner
Brittany Geragotelis PB of What The Spell: Shelley Kyle
Robin Ludwig's 500 custom business cards: Rhonda Jackson Joseph
Steven Nowak's eBook cover design: Judy Downing
DuoLit's coffee date consultation: Elizabeth Collins
Bob Mayer's eBook on publishing: Lynett Lgwira
Denise Grover Swank's 1st chapter critique: Heidi Garrett
Colleen Hoover's eBook Hopeless: Kelly LaBonte
Amy Edelman's review from IndieReader: Sasha Knight
The Bookshelf Muse's PB of The Emotion Thesaurus: Sherrey Meyer
CP Design's $100 toward a cover design: Lance Alkire
Heather McCorkle's 1st page or query critique: Dana Leipold
Jessie Harrell's cover flap critique: Jo Murphey
KatGirl Studios cover consult & $50 toward design services: Shannon Graupman

Congrats to all the winners!

All winners were chosen randomly using Rafflecopter. If giveaways were US only it was mentioned on the giveaway and was the entering party's responsibility to check.

Your name and email has been communicated to the presenter, please let us know if you do not hear from them in a couple weeks.

Thanks again for participating!

Thursday, February 21, 2013

Thank you/Wrap Up!

Wow! Are you brain dead or what?

Overwhelmed? Discouraged? Tired? Excited?

Ready to take on the world???

That's normal - we just dumped a TON of information on you. Information that took most of us months/years to learn on our own or through indie friends/groups.

Let it sink in for a few days. Then take it one step at a time.

I would like to thank all of you who have popped in over the last few days! You made this conference successful and fun. So we appreciate your time, tweets, and thoughtful questions/comments. WE ended up with almost 20,000 unique visitors and about 1400 comments over the 3 days.

Now you can do one thing for us! (you knew there was one catch right? ;)

Tell us how we did by filling out this short survey! (it will help us tons!)

Wrap Up Party- tonight at 7:30 EST

Join us for the celebration chat tonight at 7:30 pm EST on Twitter (using hashtag #indierecon) where you can interact with some of the speakers, follow them, ask last minute questions, or just say hello/goodbye/thanks :)

We all got together and did this for YOU!  So we are glad you came!

Conference Posts

The posts and chats will all remain up for a while so go back through them at your own pace.

We MAY be pulling all the information into an ebook in the future but we will let you know through the email registration list if that happens. (You can still register on home page)

Special Thanks!
  • I would like to thank all of our partners who helped make this happen: Kobo, Alliance of independent Authors (ALLI), IndieReader, Bibliocrunch, Kindle Fire Department, Fostering Success, World Literary Cafe, GoodeReader, Indelibles, and The Book Designer. You can find out more information about joining them on the Partner Page
Note: You can join ALLI here and get a 10$ return. 
  • I would like to thank all our speakers who made this conference AMAZE-Balls with their vast and uncensored knowledge as well as their time, commitment, and thoughtful answers to all your questions and comments.  
  • I would like to thank all the hosts who helped put this together, we spent a lot of time, emails, and discussion making sure this was going to be a good experience for everyone and anyone. Feel free to come and follow us as we move forward to plan for next year.
  • I would also like to thank the awesome hosts of WriteOnCon.  We utilized their best practices which helped us create our IndieReCon. If you are interested in learning more about the traditional side of publishing, meeting agents/editors, and learning craft, they hold a summer conference every year.
Best way you can thank everyone in the conference who gave their time and information for free is (of course :) by buying their books, checking out their websites, joining their groups, and following along on their social media sites as their indie journeys continue. You can get all their information on the partner, presenter, and host pages.

KOBO ereader giveaways still going on until tonight!

Even though the conference is over, you can still win the 2 free KOBO ereaders. Just go to the home page and register to receive updates and information about our next conference or event.

Oh yes, there will be more. :)

Conference Giveaways

You still have until tonight at midnight EST time to enter any giveaway.

Every speaker contributed something so you can go back to their posts and enter what you missed.

All prize winners will be announced tomorrow at Noon EST here on the website so come back to see if and what you won! :) Good luck!


See you soon and thanks again.

Happy publishing!
Shelli, Ali, Laura, Cheri, Heather, and Jessie



Lessons Learned and Tips from Indie Authors

As you may know after coming to this conference, that there are many ways to indie pubbing. 

The main notes at this conference are: research, do it the right way, invest time and money, and keep writing

Here are some lessons and tips from your favorite indie authors:

  • "Think of self-publishing like running a business and expect to wear many publishing hats." - S.R. Johannes
  • "Start building a reader base before I published the first book. That's one of the hardest things to do and takes a large amount of time." - Willow Cross
  • "I wish someone had told me that there's room for everyone and it's not a competition. When I first started, I felt so much pressure to succeed that I had a hard time enjoying the fact that I get to live out my dream and WRITE BOOKS! Haha. I wish I would have spent more time enjoying the ride and less time stressing out." - Chelsea Fine
  • "BE mindful of your behavior on public forums. Blow ups should be handled privately. (Not a personal lesson, but I've seen more than one author implode." - Donna Dull
  • "Don't try to cram yourself, your books or information down someone else's throat. Don't spam, use connections only for marketing, etc. Be interesting and people will want to know more." - Karen Hopper
  • "I've learned that rejections aren't always a reflection of bad work, but that publishers have certain slots to fill, and while your contemporary romance might be the next best seller, it won't fit their paranormal thriller spot, so they will politely reject you. In other words, I've learned not to take rejections personal."  - Lisa Moran Collicutt
  • "Don't waste your time attempting to get pre-orders of your novel on Amazon (for first timers, anyway). It creates a huge headache, adds to your burden, and it not worth it in terms of sales. that's one thing I would do differently b/c it made me want to pull out my hair." Jessie Harrell
  • "Embrace everyone's differences, because if we all liked the same things, the world would be a very boring place." - Alan Tucker
  • "Write [emphasis] your story. No one else can tell it exactly like you will tell it. Publishing multiple books in a year isn't necessarily a good thing if the quality suffers. Take your fime and get it right!" - Heather Self
  • "Patience. Nothing-- and I mean nothing-- happens when you want it to or expect it to. It's a very slow process. And that writing a good book is only step one. You have to be a better marketer than writer it seems." - Sarah Ross
  • "No two authors pave their paths exactly the same (there is no single path to success). What works for one won't work for all." - Raine Thomas
  • "That writing is only half the work and you only get to spend half the time doing it, the rest is PR." - Quinn Loftis
  • "Don't be afraid! Seriously. I was SOOOOO scared the first time I talked to a bunch of teens at a teen night at a library in Portland. I love, absolutely love talking to teens and adults too :) I wish I wouldn't have practically had a heart attack that first time!" - Laura Elliott
  • "Best tip? Don’t rush. Take your time, polish, revise, hire a cover designer and an editor, find a good support network!" - Leigh T. Moore
  • "No matter how many books you’ve written and/or published, keep studying the craft."  - Elle Strauss
  • "Spend the money on cover art." - Susan Kaye Quinn
  • "Keep up on industry news and never stop learning about the new changes in technology." - Cheri Lasota
  • "Hire an editor. Make sure your cover rocks and don’t only ask your family. Go to writers’ conferences. Use at least one critique group. Use beta readers. Keep it fun."     - Cindy Hogan
  • "Don’t be afraid to bend the rules and color outside the lines. The beauty of being indie is you can experiment and think outside the box. Write what you love, because whether you do or don’t, readers will feel it." - Karen Hooper
  • "You are not entitled to be an automatic best seller. It may not happen with your first or even your tenth novel. Don’t be an indie because you want to sell millions of copies and be on the NY Times best seller list. Be an indie author because you love it. Because you are tired of feeling down about the awesome book that get awesome feedback, but still gets rejected by traditional publishers and agents. Don’t give up just because your first book isn’t selling. Do it because you love it." - Magan Vernon
  • "Keep your eyes on your own paper, but at the same time, study and see what other authors are doing well and how they do it. Study other with the intent to learn not to compare." - Laura Pauling

Chat with LM Preston

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LM Preston is co-owner of Phenomenal One Press, Vice President at MBPA, Conference Coordinator at Maryland Writer's Association who recruits Lit Agents and Editors for conferences, and is a moderator at YAlitchat.org which is an online writing community. In addition she has penned over 5 published novels in Middle Grade and Young Adult Fiction. She's taught at University of Maryland, University College in technical related studies.

Indie Publishing Then and the WOW of Now by LM Preston

Believe it or not, Independent Publishing has been around a long, long time. And although for a length of time it was considered to be the most horrible road an author could take to get their works into the world, many, many authors have done it with success.

Just let me name a few authors that were my inspiration to self-publish: Carl Weber (who now owns and operates his own publishing company and line of book stores), Earl Sewell (who is currently with a traditional publisher),  KL Brady (who self-published then got picked up by traditional publisher) and lastly, LA Banks (who was a traditionally published author who self-published her YA book).

The above weren’t the only ones to inspire me. I grew up in Washington DC where the arts and entrepreneur spirit go hand in hand. As a reader and an urban teen who thirsted for books that spoke to my life, I hungered for self-published books produced by authors in my local area. I still have books I’ve purchased by the authors themselves from vendors in downtown DC and at surrounding colleges like Howard University, Bowie State University and Maryland University.

HOW DID SELF-PUBLISHERS IN THE PAST BECOME LEGIT?

In the past, in order for a small publisher or self-publisher to make it in the sales game the easiest road to entry was to (1) Create a publishing company (whether you desire to take on other authors or not) (2) Find a distributor (check John Kremer’s page for them: http://www.bookmarket.com/distributors.htm) to get books into stores, libraries and listed with major distribution companies (3) Add a few authors (4) Beg for reviews. (5) Find your niche market and promote to it.

This method worked for my publishing company that I co-own with my husband. Lucky for me, my husband’s sales background and determination to get my books out there pushed me farther than I’d ever thought possible. In 2 years I went from a nobody engineer to an AUTHOR who had her books and over 40 bookstores and 20 libraries or more. He cold called book stores, visited stores/libraries in person, he represented our publishing company at trade shows and followed up with every lead. But if we weren’t with a distribution company that supported our efforts the road would’ve been harder.

Distribution

If you didn’t have a distributor, the cheapest way to entry was to set up a Print-On-Demand account with both Lightening Source AND Createaspace. Then you would have to send your actual print copy of your book, your marketing plan, media kit, and supporting materials directly to the book sellers to get placed in their system. As for Libraries, you had get an LCCN then mail their main office to try to get them to allow your books to be ordered.

Another tidbit about distribution, would be exposure. It allowed your books to be priced much lower than Print-On-Demand (POD) options of the time. In addition using a distributor allowed many small press or self-publishers to offer discounts to book resellers, immediate shipping, and be able to compete with large publishers on pricing.

PRINT ON DEMAND wasn’t a good option

Before the technology of POD improved, a 275 page book would cost the reader between $18 and $20. Whereas, if a small press or self-publisher purchased the printed books in advance (either as Digital or Offset print runs) they would be able to have more competitive prices and better quality books, but they'd have to put up about $1500 to $2000 for about 500-800 books for an initial print run. There was no way a self published author or small press could actually entice a reader to purchase a book the cost of a POD produced book that cost about 40% more than similar books.

The barrier to entry to get your books to consumer was the access to bookstores and premium placement within those stores. Organizations such as Independent Book Publishers Association and Combined Book Exhibit popped up to help push those independent publishers in front of booksellers.

Marketing of then

Indie publishers of the past had to really take the time to learn their markets. Market penetration had to be on a personal level which means doing tours. Since getting books into bookstores was difficult, many would pay money to rent tables at book festivals, try for speaking gigs, work hard to be literally ‘face to face’ with prospective readers.

Roadblocks and the ‘Self-publishing’ dirty word

I have several letters and emails from various reviewers that refused to even peek at my books because I was considered ‘self-published’. My husband addressed each one of them personally stating that ‘We are a small business like any other. Give our product a try before you decide you don’t like it.’ When he responded too many of them they would give my books a shot and some would review and support our small business. Others were rather adamant about their prejudice of self-published works.


THE WOW OF NOW

Ebooks made things so much easier! Cheaper! And opened doors for many more to sell their books direct to customer. It knocked out the middle man.

Therefore, now a self-publisher or small press, can basically release their ebook cheaply, send out eARCs (ebook Advance Reader Copies) to reviewers, and distribute their books themselves reaching a MUCH larger audience than just the chain bookstores. AND the cost of returns are much less!

In addition the major cost of printing a book, mailing out hardcopies, and paying for returns/storage/postage is virtually gone. A small press can get their books out with minimum cost and effort compared to print productions. Also, they can wait and release the print copy in order to prolong the life of the book. And they can reproduce that media in so many different slices. Not to mention the wealth of growth of the SHORT STORY market that allows for another reproduction of 1 story idea with much less investment from the publisher.

Print On Demand Improved

POD quality has improved by leaps and bounds which allows new Independent publishers the opportunity to save on the upfront cost of offering paperback book options to their format list. Now a POD book can have a competitive cost to it’s former Offset and Digital print rivals.

Marketing via the internet direct to reader

Now with the reader population opening up to reading online materials, it’s much, much easier to find your book’s market, and you don’t have to leave home to find it. Now, much more than ever, data on readers and where they hang out is more readily available. Touring now via Skype, author blog, virtual fairs and tours, offer the opportunity for a limited budget author to market directly to readers from the comforts of home. Why? Because those same readers can instantly ‘click’ purchase directly after or during the virtual interaction. This means the need to spend large amounts of money touring the country, fighting to get into bookstores and libraries is no longer needed to have successful sales numbers.

NaySayers

They are still around. However, the overall quality of Independent and Self-published books are getting much, much better do to authors starting to consider self-publishing as a viable option for their career. Therefore, they desire to put their best foot forward since they are branding themselves, instead of expecting a publisher to do it.

ONLY GETTING BETTER for the LITTLE GUY

I don’t believe that the large publishing companies will ever go away. However, I believe that large, small, traditional, indie and self-publishers will find a proper place in this sea of sales and products. Authors are getting a lot smarter about the ‘business’ of writing. And the days of writing books and sitting back while someone else promotes you as an author is long gone.

I can honestly say that my sales have quadrupled from the Indie Publishing on THEN to the WOW of now. I still do things a bit like I used to, but with a new spin to build my ebook market and I must say, it’s way easier to do than it was before.
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LM Preston is co-owner of Phenomenal One Press, Vice President at MBPA, Conference Coordinator at Maryland Writer's Association who recruits Lit Agents and Editors for conferences, and is a moderator at YAlitchat.org which is an online writing community. In addition she has penned over 5 published novels in Middle Grade and Young Adult Fiction. She's taught at University of Maryland, University College in technical related studies.

a Rafflecopter giveaway

Indie Authors Selling eBooks in Bookstores by of Kobo

Skip the reading and listen/watch Mark give his presentation "live"!
(scroll to the bottom of the post to watch!)

I have been a bookseller for over twenty years and have worked in virtually every type of bookstore possible – from indie store, to mall store, to chain and big-box retailer, from campus bookstore to online bookstore…..but no matter where I worked as a bookseller I can tell you that one thing was consistent:

Authors who made a positive impression on me were authors whose books I would gladly hand-sell.

Let me repeat that, in a slightly different way.

As a bookseller, I would gladly and eagerly hand-sell books, all in the interest of supporting and wanting to see certain authors succeed.

Booksellers and book lovers – the main thing that attracts people to get into bookselling isn’t a love for being a retailer; it is a love of books.  Thus, in a bookseller you typically have an avid reader.  There is a great opportunity for authors who have established positive connections with their local booksellers (no matter what type of bookseller they happen to be) to gain extra support, similar to a “Street Team” in booksellers.

Sure, it’s one thing to rely on automated algorithms to propel your eBook into spots that capture customers’ eyes.  But that game keeps changing and shifting under your feet. The minute you understand it, the eRetailer can immediately change the rules, change the way it works.

But something that never changes is a bookseller’s passion for books and for reading.

And something  that booksellers encounter every single day is the opportunity to suggest and curate, to recommend books to customers who they are engaging with in a very intimate way. Think about the power they have if YOU are an author they admire, respect and care about.

And although it can sometimes be difficult, these same cultivations, these same relationships can indeed translate into the digital space, particularly with Kobo’s partnership with booksellers and retailers around the world. At the end of the day, a bookseller who believes in you and wants to see you successful is a good thing to have – even better when there is a way for them to sell your book through their own store.

One of the organizations (this is for US authors) is the American Booksellers Association’s IndieBound.org and their INDIES SELL EBOOKS feature for their member stores. 

There is a great listing at http://www.indiebound.org/ebooks highlighting the various stores in the US that sell Kobo eBooks. On each of those websites are ways customers can search and buy Kobo eBooks – and the sales of those eBooks help generate revenue that supports that local bookstore.

So, on your own website, you can generate a link to one or more of your books via those platforms.

Here’s one of the auto-generated affiliate links you can create for free on IndieBound.org – this is for a print book. ShopIndie Bookstores

And here is a link to the eBook at a specific indie bookstore.

If you have created such links, let your local bookstore know about it; and let them know that you have done this – that you support them.  It’s good to feel loved.

But this is where being genuine comes into it. If you don’t support them and don’t care that customers buy your book from them, you’ll likely come off as deceptive and trying to be manipulative.  The best way to assure is to actually spend time getting to know your local booksellers if you don’t already know them.  Invest some time learning a bit about their unique customer base, the preferred reading of the booksellers.  If there are booksellers who like to read the type of book you have written, then share info with the book about them – offer them digital ARCs of your books.

The key thing to remember is similar to the great advice that is often given regarding social media behaviour online.  Be genuine, be honest, engage with people with integrity and good spirit. Don’t just be a pushy or annoying jerk who keeps saying “buy my book” over and over – that’s the quickest way to turn people off.  The same holds true with in person interactions.

The great thing about booksellers, particularly indie booksellers, is that they are all individuals, follow their own tastes, perspectives, etc.  That can be a great thing.

And if the person you’re speaking with isn’t “in” to the type of book you are talking about, learn to recognize the signs that not all books are for all readers.  Your book has a specific target audience – you should only be pitching it to the target audience – otherwise you are wasting your breath and likely going to be remembered as an annoying author who was more interested in trying to sell something that someone who was engaging in a mutually beneficial communication.

One thing I have done in the past as an author at local book events is I have offered some of my digital content for free for anyone who buys a book (sometimes one of my own books, sometimes ANY book – because they point was to encourage people to support that local bookstore) at the bookstore that was selling books for my event/launch/talk.  It reminds attendees of the importance of supporting a bookstore that supports and is part of a dynamic cultural community. And it demonstrates the author’s desire to support bookstores.

Writers often buy eReaders to do giveaways to their fans, newsletter subscribers, etc.  Why not purchase an eReader from a local retailer?  Remember, a Kobo reader purchased at a local indie bookstore translates into additional revenue support for that bookstore whenever that customer makes a Kobo ebook purchase.  You’re not only buying the device from them, but are helping them gain future eBook sales revenues.

Remember – booksellers love books, they love reading and they love authors. But they tend to love authors who aren’t jerks. They tend to want to support authors whose work they like, whose style they like, and who have ties to their community. And when they are interested enough in you as an author, (particularly when there’s a way for them to help sell your books/ebooks and earn the revenue that keeps them in business) they’ll help more customers find you, increase your discovery opportunities, and be advocates for you and your books right on the front lines.

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Mark Leslie Lefebvre has worn and continues to wear many hats within the Canadian book industry. And it all started when he spend an entire summer vacation at the age of thirteen in the basement of his parent's home hammering out a novel on his mother's Underwood typewriter. Mark's passion for writing and his love of reading led him to the book industry, where he has worked since 1992 as a bookseller in virtually every possible bookstore environment. 1992 was the same year Mark sold his first short story, and his most recent books (under the name Mark Leslie) include Haunted Hamilton and Tesseracts Sixteen: Parnassus Unbound. He has fully embraced the role of hybrid author, working on multiple self-published and traditionally published projects.
Mark currently works as the Director of Self-Publishing & author Relations at Kobo where he was part of the team that launched Kobo Writing Life, a DIY self-publishing portal for authors and small publishers, and he sits on the Canadian Booksellers Association executive board as well as the BookNet Canada Board of Directors as a CBA representative. He is an author, a bookseller, and editor and an avid reader. But he finds the term "Book Nerd" nicely covers all hats.


Your Book as an App by Richard Smith of Bowker Identifier Services


Before writing more specifically about Book Apps, we should start with a level set.

The target market for Book Apps is any reader with a device using an Android or an iOS operating system (OS).

Here are some things we know about the Book App Market:

  • According to 2012 provisional global tech device sales revenue released by the Consumer Electronics Association (CEA), tablet sales grew 60% and smart phones sales rose 38% in 2012. 
  • There is a growing demand for book content for the tablet, and it is forecasted that eBooks will account for half of books sold by 2014.  http://bits.blogs.nytimes.com/2012/12/27/e-book-reading-is-up-study-says/

While the second statistic is specifically about the demand for eBooks, it is a very telling fact about consumer appetite for content on mobile devices.

Both statistics tell us that the market is growing, and demand for book related content is also growing.

What is the difference between an eBook and a Book App?

The fundamental difference between an eBook and a Book App comes down to structure.  An eBook is a document that, when properly formatted, can be rendered by an appropriate eReader (Kindle, Nook, iBooks, Kobo, and so on.)  The eReader is the app, and the eBook is the content.  eReaders tend to hold multiple eBooks, which can be added and removed, or stored in an archive in the cloud, by the consumer.  

A Book App is piece of stand-alone software, where the content is static.

For example:  a Book App can be a single book, with eReader capabilities (search, a linked Table of Contents, bookmarking, and various other extras).  Building a self-contained collection of works, such as The Works of Edgar Allen Poe, with some eReader capabilities, can also differentiate a Book App from an eBook.  Unless the producers of this app change the content, and make the update available for download, the core content and functionality cannot be altered by the consumer.

If you want an App for your book, what are the challenges you will encounter?

Technology is too overwhelming for most:
For larger publishers, the creation of one or both (eBooks and Book Apps) is a moot point.  Most larger publishers have the relationships, the production staff with the technical expertise, and the budget to navigate the issues encountered when developing eBooks and Apps.  For self-publishers, a deep budget is almost never the case.

According to a survey compiled for internal use by Bowker, the number one reason self-publishers have not even created an eBook comes down to the complexity of the actions involved.  Most self-publishers do not know how to personally create an eBook and even fewer have the expertise to write programming code to create a Book App.

Price of hiring someone else to navigate the technology:
Even the most basic app, if you engage a developer to build it, will be expensive.  This is usually priced outside most budgets of the self-publisher.

- Apple iOS:
For iOS applications, with minimal function and design, developing a basic app will cost an average of around $10,000.  This is likely going to be your baseline cost. For each feature added, you can expect to pay more.  When Apple updates the iOS operating system, at least once per year, expect to pay for maintenance if the app ceases to properly operate after an upgrade.

Even if you put down the money to build your app, there is no guarantee that your app will ever be available on the iTunes App store.  Once you have paid for the cost of developing an iOS application, Apple may deny your application to sell it in their store for any number of arcane reasons, which may include their judgment that your content is objectionable, or that your app does not provide any unique function above those available in native apps (iBooks).

These days, Apple will tend to reject most Book Apps if they are too close in functionality to iBooks.  Given the difficulty in getting a Book App approved by Apple, your Book App will easily exceed $10,000 if you wish to pass the App Store’s rules for approving apps for sale through their channel.

The type of iTunes Book Apps that are currently being approved will have more interactivity with the content, multimedia, narration, or are Book Stores Apps.  An example for this is the "Sesame Street eBooks for iPad" app.  The Sesame Street App has extended functionality, such as sound narration, auto page turning, and In-App Purchases.

- Google Android:
Google’s Android, on the other hand, is the Wild West for app developers.  While you may still be looking at development costs of $8k to $10k, plus frequent maintenance fees, you will not have the same doubts about getting your application into the store.  In my experience with Android App Stores, not very much gets rejected.  Additionally, there are multiple Android App Stores available, which include Google and Amazon.  Unlike Apple, Google does not prevent others from creating stores selling apps for the Android markets.

The ongoing hassles involved in creating and maintaining your Book App:
Every time Apple or Google upgrades their operating system, there is a risk your app will stop working, or will crash more readily.  Consistently keeping your Book App operational requires a discipline both for maintenance and updating and testing in conjunction with the release schedules for the OS updates.  Each time an OS is updated, it will cost time and money to keep your Book App updated.

To build a successful and usable Book App you need to understand the software development cycle.  This means planning functions, designing the functions, and - when the programming is done - testing the functions.  Do all your links work?  Does your app crash a lot, and why?  Is it intuitive to use?

Many self-publishers are writing and producing books for art and expression, or to test the impact of a book on their established businesses.  Unless you are dealing with large-scale brand building, spending in excess of $20k to build apps for both operating systems will never see an adequate return to justify the expense of money and time.

For self-publishers, the only likely viable option for Book Apps would be to find a systemized platform that multiple Book Apps can leverage, utilizing the same code base.  This Book App platform is what Bowker offers with its Book As An Android App.

Now that we understand the economic and technological hurdles of the Book App, the other question you need to answer is what kind of content do you intend to put into your Book App.

Differentiating the Book App from the Book
There are two primary philosophies about how or if one needs to differentiate a Book App from what is essentially an eBook.

The first point of view will encourage developing an app because it is another way in which your book can be found. If you create an Android app it can only help your book be found in Google (SEO).  Simply having a unique product, which is discoverable on Google, probably makes it a self-fulfilling prophecy.  However, Google says so little about how their search engine results pages are compiled, saying this is only somewhat more than speculative.

If you follow this school of thought, the content you place into your Book App does not need to be different from the original eBook.

The second point of view is that it’s a best practice to place more effort into differentiating the Book App from the Book.

Many would argue enhancing the content (in the way you would a DVD, with extra features) is where the app could shine, and would potentially increase sales, without cannibalizing the sales of your regular book.  At higher production costs, you could include video, interviews, and narrated pages.  However, not everything you do to enhance the content of your book requires extensive costs.

Here is a short list of some budget conscious ways of differentiating your book:

  • Include short stories which provide a back-story to your characters
  • Include some “deleted scenes” 
  • Write content formatted like a blog which follows the narrators daily life, even link them to hosted blog pages outside the Book App
  • Bring out your personality by writing a journal about what you were thinking when you wrote certain scenes in your book. 
  • Provide links to stores where your cookbook readers can order hard to find recipe items
  • Add links or Digital Object Identifiers to link relevant passages of your book to offline content about the house in which a historical figure spent much of their lives

Because the content is primarily textual, possibly with a few images, the cost of the content will likely not change the cost of your app the way adding video and audio might.

So should you differentiate your Book App content from your book?
From the first point of view, it doesn’t matter.  The value of your Book App is better SEO, and increased returns in the search engine results.

The second point of view says you should put more effort into adding value to the content.  The more you add value to differentiate your Book App from your Book, the greater the opportunity to create a unique sale.

My own view of these two different positions is that the first is essentially lazy.  Any SEO value gained simply by having a Book App exists regardless of which path you follow in developing content for your Book App.  Enhancing the content for your Book App is a strategy of improving conversions.

Justifying the Book App
Like any marketing effort, the decision to build an app should be justified by increasing your audience and revenue.  Revenues should indicate what type of apps you have a budget to build, and for which operating system.

Should you want a basic Android app without excessive costs, Bowker’s Identifier Services makes them available for $299/app, for the initial set-up and first year of maintenance.  Thereafter, each app costs $50/ year to maintain.  There is an additional revenue share of 50% of gross royalties.  Bowker’s Book As An Android App is available at: https://www.myidentifiers.com/bookasapp/main .

If you are interested in pursuing the eBook option, Bowker also provides the option of converting your files to work fit all the major eReaders.  For more details visit us at: https://www.myidentifiers.com/bowker_ebook_conversion_service.

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Richard Smith worked for a variety of start-ups that would eventually become About.com, Waterhouse Securities’ Electronic Brokerage Services Division, and Multex.com. Multex.com was later purchased by Reuters, and he joined the company as Director of New Products, where he was involved in the consumer media marketplace to drive the change in how media companies monetize their content in an era where media information has become commoditized.

He returned west and resumed work as a consultant for a variety of media companies and aggregators, and joined Seybold Scientific as a partner in 2008 with a focus on newer product and service offerings. In addition to his work with Seybold Scientific, he continues to advise companies ranging from startup to enterprise in an ongoing effort to grow my knowledge and share my experience.

His future goals are entrepreneurial in nature. He’s always developing new ideas and vetting them with his various contacts.